Rembrandt - translation to γαλλικά
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Rembrandt - translation to γαλλικά

DUTCH PAINTER AND PRINTMAKER (1606–1669)
Rembrandt van Rijn; Rembrandt Harmenzsoon van Rijn; Rembrandt Harmensz van Rijn; Rembrant; Van Rejn; Rembrandt Van Rijn; Rembrandt Harmenszoon van Rijn; Rembrandt Harmensz. van Rijn; Rembrandt Harmenszoon Van Rijn; Remberandt; Rembrant van Rijn; Reimbrond Vainrein; Rembrand van Rijn; Rembrand; Rembrandt van Riji; Rembrandt Harmenszoon van Ryn; Rembrandt van Ryn
  • The Shell (a [[cone snail]]) is the only still life Rembrandt ever etched.
  • Rembrandt's house]] at  [[Jodenbreestraat]] by [[Cornelis Springer]] (1853); in the back the [[Zuiderkerk]] where his children were buried.
  • ''The Three Trees'' (1643)
  • In 1775, [[Johann Wolfgang von Goethe]], then 25-years-old, wrote in a letter that "I live wholly with Rembrandt" ("...ich zeichne, künstle p. Und lebe ganz mit Rembrandt."). At the age of 81 (1831), Goethe wrote the essay "Rembrandt der Denker" ("Rembrandt the Thinker"), published in his posthumous collection.<ref>Münz, Ludwig: ''Die Kunst Rembrandts und Goethes Sehen''. (Leipzig: Verlag Heinrich Keller, 1934)</ref><ref>Van den Boogert, B.; et al.: ''Goethe en Rembrandt. Tekeningen uit Weimar. Uit de grafische bestanden van de Kunstsammlungen zu Weimar, aangevuld met werken uit het Goethe-Nationalmuseum''. (Amsterdam: Amsterdam University Press, 1999)</ref>
  • ''[[The Night Watch]]'' or ''The Militia Company of Captain Frans Banning Cocq'' (1642), an oil on canvas portrait now housed in [[Rijksmuseum Amsterdam]]
  • The Rembrandt statue in [[Leiden]]
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  • Moving Rembrandt's ''[[The Night Watch]]'' for the 1898 Rembrandt Exhibition
  • A Rembrandt statue and the sculptures of ''[[The Night Watch]]'' in 3D at the [[Rembrandtplein]] in Amsterdam
  • Portrait of Haesje Jacobsdr. van Cleyburg from Rotterdam (1634) completed during the height of his commercial success
  • ''[[Slaughtered Ox]]'' (1655), now housed in [[Musée du Louvre]] in Paris
  • van de Cappelle's]] 500 Rembrandt drawings
  • Lisowczyk]] on horseback.
  • ''[[The Prodigal Son in the Brothel]]'', a self-portrait with [[Saskia van Uylenburgh]] (c. 1635)
  • ''Saskia as Flora'' (1635)
  • ''Self Portrait'' (1658), now housed in the [[Frick Collection]] in New York City, has been described as "the calmest and grandest of all his portraits"<ref>Clark 1978, p. 28</ref>
  • Rembrandt's drawing of an Indian [[Mughal painting]]
  • robbery from the Isabella Stewart Gardner Museum]] in 1990
  • Royal Castle]] in [[Warsaw]]
  • The ''[[Hundred Guilder Print]]'' (c. 1647–49), an etching now housed in the [[National Museum of Western Art]] in Tokyo
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  • ''The Abduction of Europa'']] (1632) has been described as "...a shining example of the 'golden age' of [[Baroque]] painting".<ref>Clough, p. 23</ref>
  • ''The evangelist Matthew and the Angel'' (1661)
  • Rembrandt Memorial Marker in the [[Westerkerk]] section of Amsterdam
  • Rembrandt only Winterlandscape 1646
  • ''[[Rembrandt Laughing]]'' (1628), now housed in [[J. Paul Getty Museum]]] in [[Los Angeles]]
  • Rembrandt van Rijn - Self-Portrait with a flat cap (1642) Royal Collection
  • ''[[A Polish Nobleman]]'' (1637)
  • as a Franciscan monk]] (1660)
  • Rembrandt's portrait of [[Saskia van Uylenburgh]] (c. 1635)
  • The Rembrandt House Museum in Amsterdam
  • ''Self-Portrait with Raised Sabre'' (c. 1934)
  • Kloveniersdoelen]] where [[the Night Watch]] was exhibited for years; painting by [[Jan Ekels the Elder]] (1775)
  • Rembrandt moved to Rozengracht 184, Stadsarchief Amsterdam

Rembrandt         
Rembrandt, (1606-69) Dutch painter and artist (famous for his works "Bathsheba" and "Aristotle Contemplating the Bust of Homer")

Βικιπαίδεια

Rembrandt

Rembrandt Harmenszoon van Rijn (, Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] (listen); 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings and two thousand drawings.

Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer, Rembrandt was an avid art collector and dealer.

Rembrandt never went abroad but was considerably influenced by the work of the Italian masters and Dutch artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Peter Paul Rubens. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters.

Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His 40 self-portraits form an intimate autobiography. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into an art form. His reputation as the greatest etcher in the history of the medium was established in his lifetime. Few of his paintings left the Dutch Republic while he lived but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.

In his works, he exhibited knowledge of classical iconography. A depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization". The French sculptor Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!"

Παραδείγματα από το σώμα κειμένου για Rembrandt
1. Rembrandt, pour les portraits et pour les bśufs écorchés.
2. Apr';s Leyde sa ville natale et de la formation initiale, Rembrandt fait d‘Amsterdam sa ville.
3. Rembrandt et Richemont ont cédé leurs actifs BAT en 1''', recevant des actions en retour.
4. Męme lui a trouvé que son portrait ressemblait ŕ du Rembrandt.
5. La rencontre du photographe avec une gravure de Rembrandt est ŕ l‘origine du projet.